Oblique Strategies for Drama
I am a big fan of the musician Brian Eno. From his work with Roxy Music through to his records with U2 and Coldplay via Bowie, Byrne and inventing ambient music I think he has an interesting outlook on the creative process and has made a career out of reinventing his own sound, and the sound of others. As a theatre director who has a massive interest in record production I was drawn to Eno's Oblique Strategies . A series of prompts written on cards that he would pull out at random to instigate a creative impulse in the musicians he was working with. You can check out some of the strategies on this website . Sometimes when you are rehearsing a play you can feel that, as a director, you are making the same safe choices again and again. Actors have this feeling too. They have made choices in rehearsal and are scared to deviate from 'what works'. This pushes a whole world of unexplored possibilities to the side. I was working on some show or other a few years ago and when it