2022 - A Year of Making and Learning
2022 is coming to a close and it has been an extremely busy one for me. I worked on a number of shows all with their unique challenges and artistic rewards. The year started with The Dream at the Royal Conservatoire of Scotland. This was an ambitious project where we mashed together A Midsummer Night's Dream and Romeo and Juliet into what was a cohesive whole. This was still when the grip of covid hadn't quite left us so it was performed to an audience of about 20 and we also made a fairly cinematic film of it as well, which was an interesting process that I learned a lot from. It was a technically challenging show and it was a pleasure to work with all the students as we pushed ourselves to make the best show possible. The Dream - Royal Conservatoire of Scotland I then headed into two back-to-back development sessions, with thanks to Creative Scotland, The Beacon, NTS and The Tron in supporting this. First up was To Save the Seas, a musical I'm writing with the brill wri...